In Kings of War, director Ivo van Hove focuses on political leadership. The original texts were retranslated by Rob Klinkenberg and then thoroughly adapted: the Hundred Years' War between England and France, and the Rose Wars between the houses of Lancaster and York for the English throne, which are emphatically present as a historical context in the original pieces, were referred to the background in the adaptation in order to accommodate a varied portrait of successive kings. As leaders in times of political instability and war, they show remarkable affinities with world leaders today.

Kings of War merges Henry V, Henry VI and Richard III into one explosive performance about leadership. In successive kings, Shakespeare sketches an image of political leaders, face to face with the ultimate responsibility for life and death in times of war. Shakespeare’s kings are political leaders who come face to face with the ultimate responsibility: they must make the life-or-death decision of whether to go to war. Shakespeare draws us into the psychology of the rulers, while also revealing the machinations of their courtiers and advisors. Kings of War lays bare the mechanisms of decision-making in times of political crisis, exposing the dichotomy between national interests and self-importance.

It is election night. Oedipus is on the verge of a massive victory. The country has not known a leader for many years since Laius' death. The ambitions are great. Oedipus wants to create a future, create a new way of life. He also insists, if elected, that the investigation into the death of his predecessor is reopened. In the meanwhile, in the half-empty campaign headquarters, Oedipus is surprised by his family - mother, wife and children - with a dinner. An old incident is thereby brought up. Gradually, Oedipus discovers that his past is very different from what he has always thought. During his research, the pieces of the puzzle fall together. Oedipus tries to control his fate, but discovers that he has been seeing blind all along.

Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

Noa Holander has it all. She's one of the richest women in Israel. Her father is one of the one hundred richest men in the world. He owns a chain of international hotels, a private jet and anything you could possibly dream of. She lives in a mansion, she's beautiful, and she models and an acts just for the fun of it. Men want to be with her - women hate her (they're jealous, obviously). Over the past two years she's been having a highly publicized affair with Pete Evans, one of Hollywood's biggest stars. He's handsome, he's successful, he's rich - it's all perfect. And then they break up. According to the tabloids, he cheated on her. Amos Dahari is a 28-year-old guy still living with his parents in their tiny, cramped apartment in the city of Bat Yam. He works with them as well, in the family business - the bakery. He spends most of his days in front of the oven, baking pita bread, making minimum wage. When he's not working he's busy getting an earful from Vanessa - his girlfriend of ...

Set in Rangsot, this film unravels how memory, play, and storytelling endure through voice, gesture, and communal presence. Songs once sung to lull children, tales whispered by parents, and games played with sticks, stones, or dragonflies re-emerge as elders recount them—sometimes laughing, sometimes grieving. The film reflects on how the apparatus mediates these transmissions. Between oral history and the camera’s framing, it explores how memory is shaped, reenacted, and perhaps even transformed through the production and consumption of technical images.

A glimpse into the behind the scenes shenanigans that happen at fan conventions when the actors are the craziest ones there.

A short film by Chris Terrio.

A documentary celebrating the men whose vocal stylings have carried the torch for soul across six decades.. Featuring footage of Brenton Wood performing Gimme Little Sign and Curtis Mayfield singing Keep On Keeping On, as well as appearances by Billy Preston, Bill Withers, Billy Ocean, Alexander O'Neal, Barry White, Bobby Womack and many more.